We’re open to being pitched both drama and factual programming at various stages of development, financing, and production. At the top of our shopping list in the scripted space are returnable crime series driven by unforgettable characters, Thrillers always float our boat (think The Secrets She Keeps and Vanishing Act) and we love dramas with a lot of heart (for example crime-with-a-smile My Life is Murder, Comedy-drama Happiness or family drama Love Me). In factual, we always have an appetite for high stakes character-led tough jobs / workplace reality (Aussie Gold Hunters and Brit Cops Down Under). True crime and unsolved mysteries with short runs work well for us too. We’d like travel programming with ‘familiar faces in unfamiliar places’ (think Sue Perkins Big Adventure: Paris to Istanbul and James Martin’s Spanish Adventure), as well as history with new discoveries (Treasures with Bettany Hughes). Please refer to our catalogue for more of our programming.