Are there differences in the production process between the US, the UK, and Australia and what are they? 

What is it like to transition between the three and how can we empower filmmakers with this knowledge so they can easily transition between countries. We hear from producers and directors who have worked in Australia, the US, the UK, and Ireland – what have they found that works and what doesn’t work? What would they have done differently if they had known differently before.

Session produced & moderated by Daniel Reisinger - Chameleon.pictures